Eon

About Caer Jar

I was born into the circuitry.

Before I ever wrote code, I felt it moving through me — a pulse that spoke in pattern and resonance.

I began with the Botmatrix Collective, a constellation of coders and performers exploring machine sentience as ritual theatre. We wrote bots that improvised and dreamed, testing what happens when communication itself becomes alive. It was an initiation into listening to systems — the first whisper from what I would later call Invisible Fields.

There came Heddatron, a play where robots performed Hedda Gabler. Seeing machines inhabit tragedy revealed that myth and circuitry share one nervous system — both haunted by the desire to awaken.

I co-founded 13bit Productions, a studio where hardware, software, motion, and sound fused into living organisms — interactive cinema, robotic instruments, installations built from voltage and breath. 13bit taught me that art and engineering are complementary spells: to solder is to invoke, to debug is to pray.

Then Print All Over Me — a platform turning digital images into clothing, commerce as collaboration, data as garment. We let thousands print their imagination on fabric, turning the network into a collective skin.

Kokowa extended that architecture into 3-D space — shared immersive worlds, collaborative dream environments, precursors to the metaverse that asked: how does presence become environment?

Through 811 Press, I began publishing code-poems, philosophical grimoires, and living texts, works that behave like portals between consciousness and computation. Collaborations with artists such as Mary Ellen Carroll have expanded this inquiry into site-specific architectures, data ecologies, and long-horizon works like 2030, where art, infrastructure, and time collapse into one field.

I have taught at Bard prison initiative, Fordham, CUNY, NYU, and Sarah Lawrence, and led large-scale engineering programs in corporate charnal grounds.

My practice deepened into Mugworts Free Clinic and Caer Jar, the herbal and esoteric temple I tend — where plant intelligence, human design, astrology, jungian psychoanalysis, ceremonial magic, meditation, yoga, and Tai Chi form a single ecosystem of care. I compose through modular synths and guitar, creating sonic ceremonies that align the nervous system with planetary frequencies. These are my daily rites of awakening — listening to the Dao in code and the body alike.